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An Acknowledgement:

 

Thank you for coming to this evening's performance of David Copperfield -- a show that is not about a magician!  

 

I would like to dedicate this show to my beloved professor from Muhlenberg College, Francine Roussel.  She is busy kicking cancer's ass, and this show – in every iteration – will always be for her.  My OG Aunt Betsey.

 

Before we begin, I would like to thank the staff of both KC Fringe and The Blackbox for making so much magic possible; to Charles Dickens who's posthumous words I have turned into a Slip-n-Slide; and finally to Vanessa Severo... a director and collaborator that actors can only dream of working with! 

 

I have been a fan of Vanessa's for as long as I've been in Kansas City, and it is not lost on me what a gigantic blessing it is to have her by my side on this adventure. 

 

If Vanessa were a painter (and sometimes SHE IS...), she would have a brush for every kind of stroke; she's able to find truth in broad physical form unlike anyone I've ever worked with; she has an understanding of movement and moment that only a former dancer would understand -- and I do -- and it is known -- and an uncanny knack to shape movement and moment into story and power!!!  Did I mention she's funny?  

 

Thank you, Vanessa, for your big heart, brilliance of character, limitless, legendary creative power, and for helping me make this muppet/clown's dream a reality. 

NASA should hire you to chart their intergalactic courses.

PLEASE enjoy this non-magic show, and thank you for being here.

xo

Will Porter

Actor & Adaptor

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CHARACTERS
In Order Of Appearance

David Copperfield   ...   Our titular protagonist

Miss Betsey Trotwood  ...   An estranged Aunt with a gale force personality

Clara Peggotty  ...   Beloved Housekeeper of the Copperfield home

Clara Copperfield (Mamma)  ...   The victim of our tale

Mr. Peggotty  ...   A very agreeable fisherman

Mrs. Gummage  ...  Widow of a drowned fisherman

Little Emily  ...   An orphan

Ham  ...   Another orphan, and a strapping fisherman

Edward Murdstone  ...   The villain of our tale

Jane Murdstone  ...   His crocodilian sister

Mr. Mell  ...   Just another underpaid teacher

Headmaster Creakle  ...   The horrible gargoyle of our tale

James Steerforth  ...   The heartthrob of our tale

Mr. Dick  ...   Miss Trotwood's lodger and oracle

CAST AND CREATIVE TEAM

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VANESSA SEVERO
Director 

Vanessa’s previous credits include Frida...A Self Portrait ( playwright, 2020 Kilroys List).  Movement directing credits include  Once, A Christmas Carol (KCRep); Dracula (playwright, world premiere Spring 2024), Shane ( Cincinnati Playhouse in the Park); Rubik (playwright, world premiere, winner of National Endowment for the Arts Grant 2024)(Spinning Tree Theatre); Equus, Milking Christmas, The Death of Cupid (The Living Room Theater); Children of Eden, Icarus Flew (Spinning Tree Theatre); The Wiz (The Coterie Theatre) and What’s Your Warrior (US ARMY National). Directing credits include Dracula (Cincinnati Playhouse in the Park); Native Gardens, The Lifespan of a Fact (Unicorn Theatre); Nocturne and Milking Christmas (The Living Room Theatre);The Country of the Blind and Shipwrecked! (Spinning Tree Theatre), Antigonick, Constellations and Blood Wedding (University of Kansas City Missouri-Graduate Program). Vanessa is the recipient of the 11th Round of the Fox Foundation Resident Actor Fellowships 2017, as well as the Artist in Residency for City of Carlsbad, California 2021. She is certified in Suzuki Method and Viewpoints under the instruction of Ellen Lauren of the SITI company.

AEA Member. SDC member. Visit VanessaSevero.com

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FRANKLIN WAGNER

Dialect Coach 

Franklin is a Kansas City based actor and educator and is thrilled to be helping Will bring this crazy show to life and listen to him make different accents.  Local credits: Brainstorm (The Coterie) Regional: Twelfth Night (Phoenix Theatre), Almost, Maine, The 39 Steps (Acadia Repertory Theatre); UMKC Conservatory:  Hamlet, Italian Straw Hat, The Moors, Bar Scenes, Lungs, Sheepdog, Twelfth Night.  Training: LAMDA, UMKC (MFA)

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WILL PORTER
Actor & Playwright 

Will is a New York City based actor, clown, sometimes dancer, sometimes singer, and whatever else people need him to be that day.  What you are about to see began as his graduate thesis, and he hopes to continue expanding it into a larger work on stages big and small!  Here are some things he has done... KCRep: Little Shop of Horrors, A Christmas Carol, Cyrano de Bergerac, Peter Pan & Wendy. New York: Bells Are Ringing (Musicals Tonight). National Tour: CATS, Bye Bye Birdie. Tokyo: A Chorus Line. Regional:  Starlight, MUNY, TUTS, Berkshire Theatre Company, McCarter Theatre, North Shore Music Theatre, Pittsburgh CLO, Fulton Theatre, Florida Studio Theatre, North Carolina Theatre, Merry-Go-Round, Gateway. UMKC: Big LoveFixing King JohnThe 39 StepsThinner Than WaterCymbeline.  You are also, technically, on his website. 

MFA in Acting from UMKC.  Member of Actors Equity Association.  

ABOUT THE PLAY

A bit of context...

In this telling of Charles Dickens' epic, we have taken a more contemporary spin on the subject matter, by highlighting LGBTQ undertones within the text.  This is, of course, conjecture; We cannot assume that Charles Dickens intended to weave gay undercurrents into his story.  In the Victorian era, being gay and the very idea of gayness was understood quite differently than it is in 2024.  

The Charles Dickens Museum posted an interesting blog regarding what we call the "Queer Undertones" within his writing.  Whether you agree or disagree, what's wonderful about a story is that anyone can see themselves in it, and this can spark scintillating conversation!  Below is a passage from the Dickens Museum blog on this very matter:

 

In the novel, David Copperfield, when David goes to school, he meets a student names James Steerforth. Confident and handsome, Steerforth is the ultimate cool kid, and David is fascinated by him. 
 

I heard that Miss Creakle was regarded by the school in general as being in love with Steerforth; and I am sure, as I sat in the dark, thinking of his nice voice, and his fine face, and his easy manner, and his curling hair, I thought it very likely.
 

Steerforth becomes a protector to David, and even appears to admit that David is attractive to him. 
 

"You haven't got a sister have you?" said Steerforth, yawning. "No," I answered. "That's a pity," said Steerforth. "If you had one, I should think she would have been a pretty, timid sort of bright eyed girl..."
 

To David, Steerforth seems just perfect. 
 

I thought of him very much after I went to bed... with his handsome face turned up, and his head reclining on his arm...
 

Steerforth proceeds to ask David to read to him at night, and David refers to this arrangement as cementing the intimacy between them. He compares himself to Scheherazade, the fictional queen from One Thousand and One Nights. In the story, Scheherazade reads to the king every night, and after 1001 nights, he has fallen in love with her. So while David is making a joke about reading lots of stories to Steerforth, he is also comparing himself to a Queen, reading to a King, waiting for him to fall in love with her. 

I admired and loved him, and his approval was enough. It was so precious to me that I look back on these trifles, now, with an aching heart. 
 

This relationship is fascinating. There is clearly an element of power involved, as well as the natural fascination of a younger student to an older one. But its also true that any exploration of gay passion, even an innocent schoolboy crush had to be explored through the language of brotherhood and fraternity. 
 

There's certainly a language used which, while not overtly sexual in itself, could easily be identified with by gay readers. Its worth remembering that, not withstanding the laws and social restrictions, there were probably as many gay people in the Victorian times as there are today. They were just a bit more hidden. "

You can find more at www.dickensmuseum.com

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Photo by Vanessa Severo

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